Working in challenging closed settings without artistic inputs? / Noh Budget Films / London

• LocationLondon
• Type
• Salary
• Artformcombined arts
• ContactTony Cealy tctonycealy@gmail.com

Description

A training course for Facilitators Teachers and Group Leaders in dealing with Resistance

This highly practical hands-on course is particularly suited to facilitators and group leaders who want to acquaint themselves with the challenges involved in working with ‘hard’ groups within prisons, hospitals, probation centres, youth clubs, pupil referral units and holiday schemes. You will be able to experience, practise and learn a variety of techniques in managing and dealing with resistance and disengagement in challenging settings.

The facilitator has to perform radical and innovative functions. It’s different from a theatre director, drama teacher, youth leader, a shaman, cultural activist, therapist or a joker, yet it borrows aspects of these roles.

The facilitator needs to select the most appropriate games, exercises and techniques to bring out the best of the group, which means looking at the geographical, social and cultural context of the workshop session.

How does the facilitator deal with the challenges involved in working with ‘hard’ groups behind closed doors? What does a facilitator do? What are the nuts and bolts of facilitation?

Who is this for?

People who are in related professions such arts practitioners, social care, therapy, mental health, education, community arts or personal development as well as students and trainees in such professions.

Applications are also encouraged from social inclusion partners who are interested in understanding the role and value of arts-based practice to the groups they work with. It is also for Facilitators, artists, teachers, directors, workshop leaders and activists and anyone who works with difficult groups.

The training covers techniques with explanations, instructions and suggestions to help you develop your own style and approach. The techniques can be readily adapted to a wide range of difficult settings with adults and young people. 

This will also be an opportunity for professional development, networking and skill sharing so as to enable continued high standards of good practice.

London Friday 12th May 10.00am – 5.00pm

£59.00

Free TRAINING MANUAL on completion.

http://ift.tt/2lgvm4d

https://www.youtube.com/watch?v=ZcRxSLkhcgg

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Working in challenging closed settings without artistic inputs? / Noh Budget Films / London

How to work creatively with unmotivated challenging groups? / Noh Budget Films / London

• LocationLondon
• Type
• Salary
• Artformcombined arts
• ContactTony Cealy tctonycealy@gmail.com

Description

A training course for Facilitators Teachers and Group Leaders in dealing with Resistance

This highly practical hands-on course is particularly suited to facilitators and group leaders who want to acquaint themselves with the challenges involved in working with ‘hard’ groups within prisons, hospitals, probation centres, youth clubs, pupil referral units and holiday schemes. You will be able to experience, practise and learn a variety of techniques in managing and dealing with resistance and disengagement in challenging settings.

The facilitator has to perform radical and innovative functions. It’s different from a theatre director, drama teacher, youth leader, a shaman, cultural activist, therapist or a joker, yet it borrows aspects of these roles.

The facilitator needs to select the most appropriate games, exercises and techniques to bring out the best of the group, which means looking at the geographical, social and cultural context of the workshop session.

How does the facilitator deal with the challenges involved in working with ‘hard’ groups behind closed doors? What does a facilitator do? What are the nuts and bolts of facilitation?

Who is this for?

People who are in related professions such arts practitioners, social care, therapy, mental health, education, community arts or personal development as well as students and trainees in such professions.

Applications are also encouraged from social inclusion partners who are interested in understanding the role and value of arts-based practice to the groups they work with. It is also for Facilitators, artists, teachers, directors, workshop leaders and activists and anyone who works with difficult groups.

The training covers techniques with explanations, instructions and suggestions to help you develop your own style and approach. The techniques can be readily adapted to a wide range of difficult settings with adults and young people. 

This will also be an opportunity for professional development, networking and skill sharing so as to enable continued high standards of good practice.

London Friday 12th May 10.00am – 5.00pm

£59.00

Free TRAINING MANUAL on completion.

http://ift.tt/2lgvm4d

https://www.youtube.com/watch?v=ZcRxSLkhcgg

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How to work creatively with unmotivated challenging groups? / Noh Budget Films / London

Training for Facilitators Teachers & Group leaders / Noh Budget Films / London

• LocationLondon
• Type
• Salary
• Artformcombined arts
• ContactTony Cealy tctonycealy@gmail.com

Description

A training course for Facilitators Teachers and Group Leaders in dealing with Resistance

This highly practical hands-on course is particularly suited to facilitators and group leaders who want to acquaint themselves with the challenges involved in working with ‘hard’ groups within prisons, hospitals, probation centres, youth clubs, pupil referral units and holiday schemes. You will be able to experience, practise and learn a variety of techniques in managing and dealing with resistance and disengagement in challenging settings.

The facilitator has to perform radical and innovative functions. It’s different from a theatre director, drama teacher, youth leader, a shaman, cultural activist, therapist or a joker, yet it borrows aspects of these roles.

The facilitator needs to select the most appropriate games, exercises and techniques to bring out the best of the group, which means looking at the geographical, social and cultural context of the workshop session.

How does the facilitator deal with the challenges involved in working with ‘hard’ groups behind closed doors? What does a facilitator do? What are the nuts and bolts of facilitation?

Who is this for?

People who are in related professions such arts practitioners, social care, therapy, mental health, education, community arts or personal development as well as students and trainees in such professions.

Applications are also encouraged from social inclusion partners who are interested in understanding the role and value of arts-based practice to the groups they work with. It is also for Facilitators, artists, teachers, directors, workshop leaders and activists and anyone who works with difficult groups.

The training covers techniques with explanations, instructions and suggestions to help you develop your own style and approach. The techniques can be readily adapted to a wide range of difficult settings with adults and young people. 

This will also be an opportunity for professional development, networking and skill sharing so as to enable continued high standards of good practice.

London Friday 12th May 10.00am – 5.00pm

£59.00

Free TRAINING MANUAL on completion.

http://ift.tt/2lgvm4d

https://www.youtube.com/watch?v=ZcRxSLkhcgg

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Training for Facilitators Teachers & Group leaders / Noh Budget Films / London

Bill Lewis, The Dream in The Orchard / Below 65 Gallery / South East / Maidstone

• LocationSouth East, Maidstone
• Type
• Salary
• Artformvisual arts
• ContactAli Farmer below65gallery@gmail.com

Description

Bill Lewis
The Dream in The Orchard
Below 65 Gallery, Maidstone
5th - 29th June

A selection of paintings from various bodies of work by Bill Lewis one of the original founder members of the stuckist movement and Medway poet.

Join us on the 8th June from 6-8pm for the private view of the exhibition and to meet the artist. Bill Lewis will performing a live poetry reading of his recent works.

For more information contact Ali Farmer, Gallery Manager at below65gallery@gmail.com
Address: 65 High Street, Maidstone, Kent, ME14 1SR
Telephone Number: 01622 685146

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Bill Lewis, The Dream in The Orchard / Below 65 Gallery / South East / Maidstone

Adam Harrison, The Day I Woke Up Singing / Below 65 Gallery / South East / Maidstone

• LocationSouth East, Maidstone
• Type
• Salary
• Artformvisual arts
• ContactAli Farmer below65gallery@gmail.com

Description

Adam Harrison
The Day I Woke Up Singing
Below 65 Gallery, Maidstone
2nd - 29th May

“The Day I Woke Up Singing” is the first exhibition of collages by Kent based artist Adam Harrison. Surreal slices and that feeling of a smile forming.

Join us on the 11th May from 6-8pm for the private view of the exhibition and to meet the artist.

For more information contact Ali Farmer, Gallery Manager at below65gallery@gmail.com

Address: 65 High Street, Maidstone, Kent, ME14 1SR

Telephone Number: 01622 685146

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Adam Harrison, The Day I Woke Up Singing / Below 65 Gallery / South East / Maidstone

Final week to enter the Contemporary British Painting Prize / / London / UK wide

Final week to enter the Contemporary British Painting Prize

• LocationLondon, UK wide
• Type
• Salary
• Artformvisual arts
• Contactpaintingprize@contemporarybritishpainting.com

Description

Submission deadline midnight 30th April 2017

The winning artist will receive a solo exhibition at The Herrick Gallery, London; a critical essay on their practice by art critic and curator Nicholas Usherwood and a £2,000 purchase prize of their winning work which will then enter the Priseman Seabrook Collection of 21st Century British Painting.

From the submissions 12 artists will be invited to bring three original works chosen by the artist selectors to form The Contemporary British Painting Prize: Group Show 2017 taking place at the Stables Gallery, Orleans House, Richmond Museum, London from 24 August to 22 October 2017. A panel of critics and curators will then select a prize winning painting from the 36 exhibited works, with the winning painting being announced on the afternoon of the Private View, on Saturday 26 August.

The Prize Winner selection panel judges for 2017 are: Elena Dranichnikova, founder of the Moscow Art Collectors’ Group (MACS) and founder of the Moscow School for Contemporary Art; Alice Herrick, artist, curator and owner of the Herrick Gallery, London; Jessica Litherland, visual arts producer, mac, Birmingham; Stephen Snoddy, director, New Art Gallery, Walsall; Nicholas Usherwood, curator, art critic, writer on contemporary art and editor of Galleries Magazine.

Artists of any age and nationality, presently living and working in the UK (except the Judges of the Prize, CBP artist members and the Trustees and employees of The Museum of Richmond and their family members) may submit work.

Submit a selection of 5 images (these should be j-pegs, ideally 1MB each in size) of your more recent work (along with a detail shot, so that the selectors can correctly understand your use of medium and ground) and a statement which outlines your practice to The Contemporary British Painting Prize. This first round of submissions will then be assessed by a group of practising painters who for 2017 are Julian Brown, Matthew Krishanu, Nicholas Middleton and Cathy Lomax (winner of the 2016 Contemporary British Painting Prize).

Submission fee: £18

More information about the prize can be found at http://ift.tt/2pRWo5j.

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Final week to enter the Contemporary British Painting Prize / / London / UK wide

Art Exhibition by Panayiotis Marlagoutsos / LT Gallery, 1 Orchard Street, Weston-super-Mare BS23 1RG / South West

• LocationSouth West
• Type
• Salary
• Artformvisual arts
• ContactLaura Tucker ltgallery@hotmail.com

Description

Panayiotis was born in Argos, Greece in 1977. He studied at the Athens Schools of Fine Arts and is a member of the Hellenic Chamber of Fine Arts. He has had work in seven group exhibitions and has had five solo shows. More recently exhibiting locally to where he now lives in and around Crudwell. His work is open to interpretation by the viewer.

"I can remember myself with a pencil drawing on a piece of paper at a very early age. I love it because it is my ‘antidepressant’. You can tell tales of the most tragic or the most beautiful images using very modest commodities.

Contrary to common belief, the painter doesn’t know exactly what he sets out to do, nor does he know how to do it. He simply hopes that he can react correctly to the dilemmas that the art brings about. The anticipation of the correct reaction gives birth to passion for painting.

That’s what painting is to me- the pleasure and the acknowledgement that you are in fact just a child; a continuous pursuit and a harsh resistance to obligatory adulthood. It is the possibility to preserve one additional nature; that of being an adult but retaining the right to enjoy life, even when life is not so pleasurable, simply by ‘opening windows…’"

- Panyiotis Marlagoutsos

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Art Exhibition by Panayiotis Marlagoutsos / LT Gallery, 1 Orchard Street, Weston-super-Mare BS23 1RG / South West